On 19 September 2021, the »Decolonial Frequencies« Festival, curated by meLê yamomo, will open at the Theater Ballhaus Naunynstrasse.
Familiar sounds and terrifying noises. The fleeting fragments of remembered melodies, favorite songs, the noise in our home street. We live in our sound world, it gives us orientation, feeling, and energy. Subjective, intimate – and yet the acoustic perception is the result of history, of the colonial formation. What we understand as “music”, as “beautiful”, “harmonious”, “contemporary”, as “literary”, “relevant” or “true” is formed by a history of appreciation and depreciation of sounds, practices, and bodies. Our hearing, understanding, and sound creation were shaped in long frequencies, but stubbornness creates friction, waves of resistance, and echoes of solidarity. Can these clashing interferences register or yield sonic confrontations? Can changes in hearing, understanding, and appreciation be shaped?
»Decolonial Frequencies« is a series of events over the entire 2021/22 theatre season. More than 20 artists, black perspectives, queer approaches, Asian-diasporic occupations, post-migrant traditions, and voices of color, create numerous performances, lectures, and concerts in their constructed acoustic spaces – with critical amplitude, in gyrating oscillation, and in uncontrollable interference.
Sandeep Bhagwati‘s The Sound Of Misunderstanding – Dhvanivala‘s Sonic Explorations will kick off the series that will run throughout the theatre season 2021-2022.
The autumn edition of Decolonial Frequencies will feature Ariel William Orah and Bilawa Respati‘s Gaung – Unvorherbestimmte Resonanz and a piece I am creating with Eurico Ferreira Mathias entitled, “Overtones”. Check our website for the season lineup: https://ballhausnaunynstrasse.de/events/
Join us in listening!