»Decolonial Frequencies Festival« opens on Sunday

On 19 September 2021, the »Decolonial Frequencies« Festival, curated by meLê yamomo, will open at the Theater Ballhaus Naunynstrasse.

Familiar sounds and terrifying noises. The fleeting fragments of remembered melodies, favorite songs, the noise in our home street. We live in our sound world, it gives us orientation, feeling, and energy. Subjective, intimate – and yet the acoustic perception is the result of history, of the colonial formation. What we understand as “music”, as “beautiful”, “harmonious”, “contemporary”, as “literary”, “relevant” or “true” is formed by a history of appreciation and depreciation of sounds, practices, and bodies. Our hearing, understanding, and sound creation were shaped in long frequencies, but stubbornness creates friction, waves of resistance, and echoes of solidarity. Can these clashing interferences register or yield sonic confrontations? Can changes in hearing, understanding, and appreciation be shaped?

»Decolonial Frequencies« is a series of events over the entire 2021/22 theatre season. More than 20 artists, black perspectives, queer approaches, Asian-diasporic occupations, post-migrant traditions, and voices of color, create numerous performances, lectures, and concerts in their constructed acoustic spaces – with critical amplitude, in gyrating oscillation, and in uncontrollable interference.


Sandeep Bhagwati‘s The Sound Of Misunderstanding – Dhvanivala‘s Sonic Explorations will kick off the series that will run throughout the theatre season 2021-2022.

The autumn edition of Decolonial Frequencies will feature Ariel William Orah and Bilawa Respati‘s Gaung – Unvorherbestimmte Resonanz and a piece I am creating with Eurico Ferreira Mathias entitled, “Overtones”. Check our website for the season lineup: https://ballhausnaunynstrasse.de/events/

Join us in listening!

When a Poet Disappears

Preview screening, in the presence of the director and followed by a debate moderated by André Iteanu, anthropologist (CNRS, EPHE) organized by the Société des Océanistes as part of the Océanistes cinema cycle, in collaboration with the International Festival of the Oceanian Documentary Film.

In the Toraja Mountains of the island of Sulawesi, Indonesia, Lumbaa is one of the last masters of ritual speech. Forced to convert to Pentecostalism, he was obliged to interrupt his oratory and ceremonial activity. Faced with the disappearance of “those who know”, a young priest, named Yans Sulo, sets off in search of ancient orality to reinvent in his own way a form of remanence. The two men meet. But it’s too late.
By telling the story of Lumbaa’s life and death, this film tells the story of a society turned upside down by the intrusion of a religion with a universalist aim. 

  • Ethnographic documentary (Sulawesi, Indonesia) by Dana Rappoport
    82 mn, 2020, production Le Miroir, Gabriel ChabanierAward-winning film at the Royal Anthropological Institute (RAI) Film Festival March 2021 (UK)
    Selected at Riga Pasaules Film Festival (Latvia) September 2021
     
  • Place :  Movie room | musée du quai Branly – Jacques Chirac, 37 Quai Branly, 75007 Paris
  • Dates:
    Saturday September 11, 2021 from 4:00 p.m. to 6:30 p.m.

»Interferences Live« at the Museum for Communication-Berlin

Come listen to/watch Interferences: Live at the Museum für Kommunikation Berlin on 15 September.

DeCoSEAS project leader, meLê yamomo’s »Interferenzen: Koloniales Scheitern im Radio«, premiered on Deutschlandfunk Kultur Radio Art last December. After almost a year of repeated postponements due to the corona pandemic, the performance is now scheduled to be staged as part of the 100 years radio exhibition at the museum and of the Berlin Arts Week.  You can see the announcement of the event here: https://www.mfk-berlin.de/interferences and more information below.

The live version will have updated scenes and will be “aired” in English. Thijs van den Geest will join meLê yamomo to perform live electronic music and trumpet. More information on the website: https://www.mfk-berlin.de/interferences/

Synopsis:

This sound-performance piece listens to the interferences of radio history and colonialism. By sampling recordings of historical radio broadcasts from Germany, the Netherlands, Great Britain, and Asia, and composing them, audio interviews, electronic music as well as a live performance by trumpeter Thijs van den Geest, meLê yamomo ensounds the repetitive loop of colonialism’s failures into “Interferences: Live”.

With the help of historical radio recordings from Germany, the Netherlands, Great Britain, and Asia, the artist meLê yamomo examines how the last century of listening to the radio has adjusted our hearing to certain aesthetic and affective listening habits.

By removing technical, cultural, and psychological disturbances, we try to ensure an “unimpeded” – interference-free – transmission. Less noise through better technology – and at the same time drowning out the indigenous population through programming according to Western European standards? Is that the colonization of hearing?

yamomo composes audio interviews, historical audio recordings, electronic music, and a live performance by trumpeter Thijs van den Geest in “Interferences: Live” to set the endless loop of colonial failure to music.

The work is based on the radio play Interferenzen, which was commissioned by Deutschlandfunk Kultur as part of the focus “100 Years of Radio” 2020.

Concept, artistic and musical direction: meLê yamomo | Additional sound design and engineering: Thijs van den Geest | Performance: meLê yamomo and Thijs van den Geest | Featuring interviews with: Elizabeth “Betsy” Enriquez, Teilhard Paradela, Vincent Kuitenbrouwer, and Harry van Biessum


The performance is free, but there are limited slots because of the corona regulations so please book your tickets ahead here: https://eveeno.com/268592016

Sesi Viral #1 Biennale Jogja: “Representation and Othering”

meLê yamomo will be joining the Sesi Viral Biennale Jogja focusing on Decolonization and Art Practice/Politics as a responder. The session includes Pak Daud Tanudirjo presenting his collaborative exhibition of women, Art and technology in the Pacific, and Cosmin Costinas about his collaborative exhibition The Ancestor during Europalia Art Festival. The panel is curated by Alia Swastika and Mashur Zikri.

Citing from the Biennale Jogja website:

“The discussion topic aims to frame multiple perspectives to obtain a better understanding of activities that research the interplay between contemporary cultures growing in the Archipelago and Pacific Islands. The conversation emphasized the connections between contemporary culture and local culture. This explanation is supposed to offer a critical assessment of the state system, non-governmental social and cultural institutions’ strategies, and society’s response to this cultural encounter: especially the way in which power relations have transformed historically over time.”

You can festival the biennale website ( biennalejogja.org/2021/program-publik/) for registration and further information!

New Publication about Sound Archives

DeCoSEAS project leaders meLê yamomo and Barbara Titus published a joint article about the complexities of curating colonial sound archives with DeCoSEAS concerns forming the core of the article. The article was published in a themed issue of the world of music (new series), entitled Postcolonial Sound Archives: Challenges and Potentials, edited by Rasika Ajotikar.

This double-authored article addresses colonial entanglements in the scholarly construction, employment and investigation of sound archives with particular attention for the aural encounters that such recorded bodies of knowledge engender. Outlining their academic, epistemic and personal positionalities, meLê yamomo and Barbara Titus engage in a written dialogue that foregrounds the (equally colonially informed) entanglements of their collective and individual thought during their ongoing collaboration in investigating sound archives. Titus provides a funnel for the foregrounding of audible colonial entanglements by analysing the recordings of a Timorese natoni ritual in the early 20th century, by missionary Pieter Middelkoop. These recordings ended up in the Jaap Kunst Collection, now located at the University of Amsterdam, the Netherlands, under Titus’s curation. In her analysis, Titus attempts to reach beyond the agencies of Middelkoop, Kunst and herself as a curator in the formation of sound archival knowledge. This attempt succeeds only to a very limited extent. yamomo dwells on the wider epistemological implications of such attempts by addressing his own archival research as well as the Sonic Entanglements Tour he organised with scholars from Southeast Asia along formative colonial sound archives in Europe in 2019.

Virtual Exhibit Kaagi: Tracing Visayan Identities Through Cultural Texts

Following the 2021 Annual Philippine Studies Conference at SOAS, University of London, PI Cristina Juan curated the virtual exhibit Kaagi: Tracing Visayan Identities Through Cultural Texts. The exhibit explores the ways in which texts, objects and performances negotiate, mediate and translate the ‘Bisaya’ as a collective identifier of culture, language and artistic practice.

Drawing on archival sources on the Visayas, dating up to the 17th century, most specially the Arte de la lengua bisaya hiliguayna de la Isla de Panay (circa 1628) now kept at the SOAS Special Collections and Archives, the exhibit explores the connections between colonial archives and cultural practices from the Visayan region. The exhibit’s interactive portal features ten categories of early contact cultural heritage and extends the exploration by accompanying these with works by contemporary Filipino artists who adapt, transform, and subvert these representations in their practices.

The #sonicentanglements PODCAST IS UP!

THE #sonicentanglements PODCAST IS UP!

Hosted by sound historian meLê yamomo, the Sonic Entanglements Podcast examines the history of sound in Southeast Asia through conversations with sound experts: historians, archivists, sound engineers, artists, and scholars.

SUBSCRIBE TO SONIC ENTANGLEMENTS: Apple Podcasts: http://bit.ly/SEonApplePodcasts Pocket Casts: http://bit.ly/SEonPocketCasts Podbean: http://bit.ly/SEonPodbean Spotify: http://bit.ly/SEonSpotify

LISTEN THROUGH OUR WEBSITE: http://sonic-entanglements.com/thepodcast/

Dana Rappoport’s film “Death of the One Who Knows” selected for Riga Pasaules Film Festival

After having been selected for the Festival du Film de Voyage et d’Aventures Vecues and the Royal Anthropological Institute Film Festival and being commended for the Richard Werbner Award for Visual Anthropology, Dana Rappoport’s documentary film Death of the One Who Knows has now been selected for the Riga Pasaules Film Festival.

In the Toraja highlands of Sulawesi (Indonesia), Lumbaa is one of the last masters of ritual speech. After his forced conversion to Pentecostalism, he is compelled to stop all his ritual activity and oratory. Concerned by the disappearance of “those who know”, a young Catholic priest named Yans Sulo sets out in search of the society’s ancient oral genres, seeking to invent new forms that would keep them alive. The two men meet, but it is too late. By recounting the life and death of Lumbaa, the film shows how the intrusion of a world religion disrupts a Southeast Asian society.

The trailer of the film can be watched here.

Pierre Prouteau appointed as postdoc at DeCoSEAS

We warmly welcome Pierre Prouteau in ours midst. Pierre will work for DeCoSEAS as a postdoctoral researcher on the digitization of PI Dana Rappoport’s Thrice Blooded Land multimedia corpus, and on the constitution of a critical repertoire of colonial French sound archives. Pierre will also help foster and extend dialogues between DeCoSEAS partners in various capacities. More information about Pierre can be found here.

Collaboration Citra Research Center and DeCoSEAS in Indonesian newspaper Kedaulatan Rakyat

On 24 May, DeCoSEAS partner dr. Citra Aryandari was interviewed for the Indonesian newspaper Kedaulatan Rakyat about the collaboration of Citra Research Center (CRC) with DeCoSEAS. CRC has already proposed tangible plans for the exposure to Indonesian communities of the sonic legacy of Jaap Kunst that is now located at the University of Amsterdam in the Netherlands. Outreach projects in collaboration with local (music) schools and communities are currently being prepared.